Les 10 jours fous by Étienne de Crécy cover art

Les 10 jours fous

Étienne de Crécy

Key
10A · B minor
BPM
114
Open Key
3m
Energy
46/100
Pop
0/100
Length
8:16
Released
1997
Album
Super Discount 10", Vol. 3 - Single
Genre
House
Loudness
-12.9 dB
ISRC
FRU980700021

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Les 10 jours fous runs 114 BPM in B minor (10A), a mid-tempo house record. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1997 production that still circulates in sets. More underground than 99% of Étienne de Crécy's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 88% of Étienne de Crécy's catalogue
Tempo:
slower than 78% of Étienne de Crécy's catalogue
Groove:
groovier than 75% of Étienne de Crécy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy46
Mood49Balanced
Groove80
Acoustic9
Instrumental90
Live22
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Les 10 jours fous in?

Les 10 jours fous by Étienne de Crécy is in B minor, or 10A on the Camelot wheel.

What BPM is Les 10 jours fous?

Les 10 jours fous runs at 114 BPM, a mid-tempo track.

What mixes well with Les 10 jours fous?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Les 10 jours fous good for peak time?

With energy 46 out of 100 at 114 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 114 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 114 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Étienne de Crécy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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