If Only
- Key
- 7A · D minor
- BPM
- 115
- Open Key
- 12m
- Energy
- 47/100
- Pop
- 13/100
- Length
- 4:26
- Released
- 2011
- Genre
- Deep House
- Loudness
- -10.9 dB
- ISRC
- GBEWA1100853
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 115 BPM in D minor (7A), If Only is a mid-tempo deep house production. The feel is dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Slower than 96% of Dusky's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 96% of Dusky's catalogue
- Energy:
- calmer than 95% of Dusky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is If Only in?
If Only by Dusky is in D minor, or 7A on the Camelot wheel.
What BPM is If Only?
If Only runs at 115 BPM, a mid-tempo track.
What mixes well with If Only?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is If Only good for peak time?
With energy 47 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 115 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More deep house
More from Dusky
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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