
Il ne manquait que toi
- BPM
- 68
- Double-time
- 136
- Open Key
- 8d
- Energy
- 26/100
- Pop
- 0/100
- Length
- 4:15
- Released
- 2013
- Genre
- Indie Pop
- Loudness
- -11.0 dB
- ISRC
- FR9W11004641
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Il ne manquait que toi: indie pop, D♭ major (3B), 68 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Slower than 99% of Olympe's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Olympe's catalogue
- Energy:
- calmer than 88% of Olympe's catalogue
- Groove:
- less groove-driven than 78% of Olympe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Il ne manquait que toi in?
Il ne manquait que toi by Olympe is in D♭ major, or 3B on the Camelot wheel.
What BPM is Il ne manquait que toi?
Il ne manquait que toi runs at 68 BPM.
What mixes well with Il ne manquait que toi?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Il ne manquait que toi good for peak time?
With energy 26 out of 100 at 68 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 68 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 64-72 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 68 — beatmatch without a big tempo pull.
More indie pop
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 68 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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