Il ne manquait que toi by Olympe cover art

Il ne manquait que toi

Olympe

Key
3B · D♭ major
BPM
68
Double-time
136
Open Key
8d
Energy
26/100
Pop
0/100
Length
4:15
Released
2013
Genre
Indie Pop
Loudness
-11.0 dB
ISRC
FR9W11004641

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Il ne manquait que toi: indie pop, D♭ major (3B), 68 BPM. It reads as brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Slower than 99% of Olympe's catalogue. For programming, treat it as a warm-up or breakdown cut.

Reach:
more underground than 99% of Olympe's catalogue
Energy:
calmer than 88% of Olympe's catalogue
Groove:
less groove-driven than 78% of Olympe's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy26
Mood15Dark
Groove40
Acoustic86
Instrumental0
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Il ne manquait que toi in?

Il ne manquait que toi by Olympe is in D♭ major, or 3B on the Camelot wheel.

What BPM is Il ne manquait que toi?

Il ne manquait que toi runs at 68 BPM.

What mixes well with Il ne manquait que toi?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Il ne manquait que toi good for peak time?

With energy 26 out of 100 at 68 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 68 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 64-72 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 68 — beatmatch without a big tempo pull.

#TrackKey·BPM

More indie pop

#TrackKey·BPM

More from Olympe

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 68 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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