Je t'attends
- BPM
- 142
- Half-time
- 71
- Open Key
- 9d
- Energy
- 35/100
- Pop
- 5/100
- Length
- 4:21
- Released
- 2023
- Genre
- Indie Pop
- Loudness
- -7.5 dB
- ISRC
- TCAGU2301875
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Je t'attends is a driving up-tempo indie pop track in A♭ major (4B) at 142 BPM. The feel is brooding and low-slung. It is vocal-led. Darker than 96% of Olympe's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 92% of Olympe's catalogue
- Reach:
- better known than 78% of Olympe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Je t'attends in?
Je t'attends by Olympe is in A♭ major, or 4B on the Camelot wheel.
What BPM is Je t'attends?
Je t'attends runs at 142 BPM, a driving up-tempo track.
What mixes well with Je t'attends?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Je t'attends good for peak time?
With energy 35 out of 100 at 142 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 142 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More indie pop
More from Olympe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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