I Will Always Love You
30s preview
- BPM
- 136
- Open Key
- 9d
- Energy
- 39/100
- Pop
- 5/100
- Length
- 4:29
- Released
- 2013
- Genre
- Indie Pop
- Loudness
- -8.7 dB
- Dynamics
- 12.3 dB
- ISRC
- FRUM71301991
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 136 BPM in A♭ major (4B), I Will Always Love You is a driving up-tempo indie pop production. The feel is brooding and low-slung. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More bass-heavy than 86% of Olympe's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 80% of Olympe's catalogue
- Reach:
- better known than 78% of Olympe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is I Will Always Love You in?
I Will Always Love You by Olympe is in A♭ major, or 4B on the Camelot wheel.
What BPM is I Will Always Love You?
I Will Always Love You runs at 136 BPM, a driving up-tempo track.
What mixes well with I Will Always Love You?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is I Will Always Love You good for peak time?
With energy 39 out of 100 at 136 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 136 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More indie pop
More from Olympe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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