Born to Die by Olympe cover art

Born to Die

Olympe

Key
9A · E minor
BPM
82
Double-time
164
Open Key
2m
Energy
32/100
Pop
15/100
Length
2:21
Released
2013
Genre
Indie Pop
Loudness
-7.1 dB
ISRC
FRUM71300129

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 82 BPM in E minor (9A), Born to Die is a downtempo indie pop production. The groove is loose and less beat-driven. It is vocal-led. A 2013 production that still circulates in sets. Better known than 92% of Olympe's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
slower than 84% of Olympe's catalogue
Energy:
calmer than 80% of Olympe's catalogue
Groove:
less groove-driven than 76% of Olympe's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy32
Mood22Dark
Groove40
Acoustic91
Instrumental0
Live67
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Born to Die in?

Born to Die by Olympe is in E minor, or 9A on the Camelot wheel.

What BPM is Born to Die?

Born to Die runs at 82 BPM, a downtempo track.

What mixes well with Born to Die?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Born to Die good for peak time?

With energy 32 out of 100 at 82 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 82 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 77-87 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 82 — beatmatch without a big tempo pull.

#TrackKey·BPM

More indie pop

#TrackKey·BPM

More from Olympe

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 82 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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