Désenchantée by Olympe cover art

Désenchantée

Olympe

30s preview

Key
7A · D minor
BPM
142
Half-time
71
Open Key
12m
Energy
53/100
Pop
17/100
Length
4:35
Released
2013
Genre
Indie Pop
Loudness
-7.3 dB
Dynamics
12.7 dB
ISRC
FRUM71301988

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Désenchantée: driving up-tempo indie pop, D minor (7A), 142 BPM. The feel is balanced in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Better known than 96% of Olympe's catalogue.

Tempo:
faster than 92% of Olympe's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood36Balanced
Groove63
Acoustic28
Instrumental0
Live22
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Désenchantée in?

Désenchantée by Olympe is in D minor, or 7A on the Camelot wheel.

What BPM is Désenchantée?

Désenchantée runs at 142 BPM, a driving up-tempo track.

What mixes well with Désenchantée?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Désenchantée good for peak time?

With energy 53 out of 100 at 142 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 142 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 142 — beatmatch without a big tempo pull.

#TrackKey·BPM

More indie pop

#TrackKey·BPM

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#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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