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The Machine Of Transformation - Radio Edit by Markus Schulz cover art

The Machine Of Transformation - Radio Edit

Markus Schulz

Key
1A · A♭ minor
BPM
132
Open Key
6m
Energy
97/100
Pop
0/100
Length
1:49
Released
2013
Album
The Machine Of Transformation (Transmission 2013 Theme)
Genre
Trance
Loudness
-2.6 dB
ISRC
NLF711312660

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Machine Of Transformation - Radio Edit runs 132 BPM in A♭ minor (1A), a peak-time tempo trance record. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 97% of Markus Schulz's catalogue
Energy:
hotter than 94% of Markus Schulz's catalogue
Brightness:
brighter than 90% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood41Balanced
Groove28
Acoustic0
Instrumental90
Live29
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Machine Of Transformation - Radio Edit in?

The Machine Of Transformation - Radio Edit by Markus Schulz is in A♭ minor, or 1A on the Camelot wheel.

What BPM is The Machine Of Transformation - Radio Edit?

The Machine Of Transformation - Radio Edit runs at 132 BPM, a peak-time tempo track.

What mixes well with The Machine Of Transformation - Radio Edit?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is The Machine Of Transformation - Radio Edit good for peak time?

With energy 97 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A → 12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper▲
12ASimple Mix Downer▼
1BTonal Shift·
2BDiagonal Mix Upper▲
12BDiagonal Mix Downer▼
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

#TrackKey·BPM

More from Markus Schulz

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM
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