This Town - VIP Mix
- BPM
- 115
- Open Key
- 9d
- Energy
- 30/100
- Pop
- 0/100
- Length
- 7:31
- Released
- 2009
- Album
- Deal or no Deal
- Genre
- Minimal
- Loudness
- -17.5 dB
- ISRC
- IE-ASO-00-00003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Town - El Locco Remixremix7B · 128
- This Town - Original Mixoriginal8B · 126
Against the original (8B at 126 BPM), this version runs 11 BPM slower and moves the key from 8B to 4B.
This Town - VIP Mix runs 115 BPM in A♭ major (4B), a mid-tempo minimal record. It reads as brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 99% of Mark Broom's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Mark Broom's catalogue
- Groove:
- less groove-driven than 99% of Mark Broom's catalogue
- Reach:
- more underground than 99% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This Town - VIP Mix in?
This Town - VIP Mix by Mark Broom is in A♭ major, or 4B on the Camelot wheel.
What BPM is This Town - VIP Mix?
This Town - VIP Mix runs at 115 BPM, a mid-tempo track.
What mixes well with This Town - VIP Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is This Town - VIP Mix good for peak time?
With energy 30 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![[ ] by NTO cover art](https://i.scdn.co/image/ab67616d00001e0282b74ee689d5aa9724d6537a){kind=small}
How to mix it
In 4B at 115 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More minimal
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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