LISm
30s preview
- Key
- 9B · G major
- BPM
- 113
- Open Key
- 2d
- Energy
- 28/100
- Pop
- 0/100
- Length
- 44:58
- Released
- 2013
- Album
- LISm (Special Edition)
- Genre
- Electro
- Loudness
- -14.6 dB
- Dynamics
- 16.2 dB
- ISRC
- DEAE61300055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lismoriginal9B · 113
LISm runs 113 BPM in G major (9B), a mid-tempo electro record. It reads as brooding and low-slung. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2013 production that still circulates in sets. More underground than 99% of Ellen Allien's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 97% of Ellen Allien's catalogue
- Low end:
- more treble-tilted than 97% of Ellen Allien's catalogue
- Energy:
- calmer than 96% of Ellen Allien's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is LISm in?
LISm by Ellen Allien is in G major, or 9B on the Camelot wheel.
What BPM is LISm?
LISm runs at 113 BPM, a mid-tempo track.
What mixes well with LISm?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is LISm good for peak time?
With energy 28 out of 100 at 113 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 113 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More electro
More from Ellen Allien
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.