Hallelujah - Supernova Dub
30s preview
- Key
- 7A · D minor
- BPM
- 125
- Open Key
- 12m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 7:17
- Released
- 1996
- Album
- Hallelujah
- Genre
- Deep House
- Loudness
- -9.9 dB
- Dynamics
- 10.0 dB
- ISRC
- USA671000301
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hallelujah - Robosonic Remixremix1A · 124
- Hallelujah - Kaoz Club Mixversion3A · 124
- Hallelujahoriginal3A · 124
- Hallelujahoriginal3A · 124
- Hallelujah - 6:23 Beatsoriginal10A · 124
- Hallelujah - Angelo Ferreri Jackin Dope Mixoriginal11A · 124
Against the original (3A at 124 BPM), this version runs 1 BPM faster and moves the key from 3A to 7A.
Hallelujah - Supernova Dub: club-tempo deep house, D minor (7A), 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 1996 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue.
- Low end:
- more bass-heavy than 81% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Hallelujah - Supernova Dub in?
Hallelujah - Supernova Dub by Kerri Chandler is in D minor, or 7A on the Camelot wheel.
What BPM is Hallelujah - Supernova Dub?
Hallelujah - Supernova Dub runs at 125 BPM, a club-tempo track.
What mixes well with Hallelujah - Supernova Dub?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Hallelujah - Supernova Dub good for peak time?
With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
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How to mix it
In 7A at 125 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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