Bump That Whistle - Stripped Mix by Masters At Work cover art

Bump That Whistle - Stripped Mix

Masters At Work

Key
9A · E minor
BPM
125
Open Key
2m
Energy
83/100
Pop
0/100
Length
7:16
Released
2023
Album
MAW Lost Tapes 10
Genre
House
Loudness
-10.1 dB
ISRC
GBKQU2395749

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Bump That Whistle - Stripped Mix runs 125 BPM in E minor (9A), a club-tempo house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. More underground than 99% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood48Balanced
Groove81
Acoustic0
Instrumental87
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Bump That Whistle - Stripped Mix in?

Bump That Whistle - Stripped Mix by Masters At Work is in E minor, or 9A on the Camelot wheel.

What BPM is Bump That Whistle - Stripped Mix?

Bump That Whistle - Stripped Mix runs at 125 BPM, a club-tempo track.

What mixes well with Bump That Whistle - Stripped Mix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Bump That Whistle - Stripped Mix good for peak time?

With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Masters At Work

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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