Monkey Movin' - Rene Amesz Remix
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:11
- Released
- 2011
- Album
- Monkey Movin'
- Genre
- Progressive House
- Loudness
- -7.1 dB
- Dynamics
- 11.7 dB
- ISRC
- NLL331100019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Monkey Movin' - Original Mixoriginal10A · 124
Against the original (10A at 124 BPM), this version runs 1 BPM faster and moves the key from 10A to 11B.
A club-tempo progressive house cut, Monkey Movin' - Rene Amesz Remix sits in A major (11B) at 125 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 97% of Eelke Kleijn's catalogue
- Low end:
- more bass-heavy than 76% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Monkey Movin' - Rene Amesz Remix in?
Monkey Movin' - Rene Amesz Remix by Eelke Kleijn is in A major, or 11B on the Camelot wheel.
What BPM is Monkey Movin' - Rene Amesz Remix?
Monkey Movin' - Rene Amesz Remix runs at 125 BPM, a club-tempo track.
What mixes well with Monkey Movin' - Rene Amesz Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Monkey Movin' - Rene Amesz Remix good for peak time?
With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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