Come On Get Down - 2025 Edit
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 2:44
- Released
- 2025
- Album
- Come On Get Down (2025 VIP)
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 9.1 dB
- ISRC
- USMKQ2500014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come On Get Down - 2025original10A · 125
Against the original (10A at 125 BPM), this version holds the same tempo in the same key.
A club-tempo house cut, Come On Get Down - 2025 Edit sits in B minor (10A) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 87% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Come On Get Down - 2025 Edit in?
Come On Get Down - 2025 Edit by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is Come On Get Down - 2025 Edit?
Come On Get Down - 2025 Edit runs at 125 BPM, a club-tempo track.
What mixes well with Come On Get Down - 2025 Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Come On Get Down - 2025 Edit good for peak time?
With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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