Release Me - Y-Us Instrumental Remix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 4:36
- Released
- 2019
- Album
- Release Me (Y-Us Remix)
- Genre
- Progressive House
- Loudness
- -7.2 dB
- Dynamics
- 10.9 dB
- ISRC
- CH3131914898
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Release Meoriginal8A · 106
- Release Me - Instrumental Mixoriginal8A · 106
- Release Me - Extended Mixversion8A · 106
- Release Me - Y-Us Remixremix8A · 125
- Release Me - Y-Us Extended Remixremix8A · 125
Against the original (8A at 106 BPM), this version runs 19 BPM faster in the same key.
Release Me - Y-Us Instrumental Remix is a club-tempo progressive house track in A minor (8A) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Sons Of Maria's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Sons Of Maria's catalogue
- Tempo:
- faster than 84% of Sons Of Maria's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Release Me - Y-Us Instrumental Remix in?
Release Me - Y-Us Instrumental Remix by Sons Of Maria is in A minor, or 8A on the Camelot wheel.
What BPM is Release Me - Y-Us Instrumental Remix?
Release Me - Y-Us Instrumental Remix runs at 125 BPM, a club-tempo track.
What mixes well with Release Me - Y-Us Instrumental Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Release Me - Y-Us Instrumental Remix good for peak time?
With energy 82 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Sons Of Maria
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
