Healing - You Are My Salvation Remix
- Key
- 4A · F minor
- BPM
- 129
- Open Key
- 9m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 9:40
- Released
- 2014
- Album
- Healing
- Genre
- Trance
- Loudness
- -14.8 dB
- ISRC
- GBCDK1413067
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Healing - Original Mixoriginal3B · 135
- Healing - Liquid Soul Remixremix9B · 135
- Healing - Daniel Lesden Remixremix3B · 135
- Healing - Editions 303 Mixversion3B · 135
- Healing - Insert Name Remixremix3B · 130
- Healing - Pallida Remixremix9A · 128
Against the original (3B at 135 BPM), this version runs 6 BPM slower and moves the key from 3B to 4A.
At 129 BPM in F minor (4A), Healing - You Are My Salvation Remix is a peak-time tempo trance production. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 93% of John 00 Fleming's catalogue
- Brightness:
- darker than 79% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Healing - You Are My Salvation Remix in?
Healing - You Are My Salvation Remix by John 00 Fleming is in F minor, or 4A on the Camelot wheel.
What BPM is Healing - You Are My Salvation Remix?
Healing - You Are My Salvation Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Healing - You Are My Salvation Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Healing - You Are My Salvation Remix good for peak time?
With energy 87 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 129 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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