The Wind In Your Face (ASOT 1030)
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 83/100
- Pop
- 7/100
- Length
- 4:43
- Released
- 2021
- Album
- ASOT 1030 - A State Of Trance Episode 1030 (Giuseppe Ottaviani Takeover)
- Genre
- Trance
- Loudness
- -7.7 dB
- Dynamics
- 10.6 dB
- ISRC
- NLF712107644
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Wind in Your Face - OnAir Mixoriginal4A · 138
- The Wind in Your Faceoriginal4A · 124
- The Wind in Your Face - Extended Mixversion4A · 124
The Wind In Your Face (ASOT 1030) is a peak-time tempo trance track in F♯ minor (11A) at 129 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 84% of Giuseppe Ottaviani's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- calmer than 80% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Wind In Your Face (ASOT 1030) in?
The Wind In Your Face (ASOT 1030) by Giuseppe Ottaviani is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Wind In Your Face (ASOT 1030)?
The Wind In Your Face (ASOT 1030) runs at 129 BPM, a peak-time tempo track.
What mixes well with The Wind In Your Face (ASOT 1030)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Wind In Your Face (ASOT 1030) good for peak time?
With energy 83 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
![Fall Into You (WYM141) [Extended Mix] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e024b5e8fb3f1a8b44a10357f1b){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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