The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2
- Key
- 9B · G major
- BPM
- 150
- Half-time
- 75
- Open Key
- 2d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 6:12
- Released
- 2011
- Album
- Stingray Enters the Unknown
- Genre
- Breakbeat
- Loudness
- -5.8 dB
- ISRC
- GBQLP1100289
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sadist - Cestrian Remixremix10B · 132
- The Sadist - Heinrich Mueller Remixremix8B · 134
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1original3B · 85
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2 runs 150 BPM in G major (9B), a fast breakbeat record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of DJ Stingray 313's catalogue.
- Energy:
- hotter than 97% of DJ Stingray 313's catalogue
- Groove:
- less groove-driven than 79% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2 in?
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2 by DJ Stingray 313 is in G major, or 9B on the Camelot wheel.
What BPM is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2?
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2 runs at 150 BPM, a fast track.
What mixes well with The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2 good for peak time?
With energy 99 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 150 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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