The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1
- BPM
- 85
- Double-time
- 170
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:24
- Released
- 2011
- Album
- Stingray Enters the Unknown
- Genre
- Breakbeat
- Loudness
- -4.3 dB
- ISRC
- GBQLP1100288
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sadist - Cestrian Remixremix10B · 132
- The Sadist - Heinrich Mueller Remixremix8B · 134
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2original9B · 150
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1: downtempo breakbeat, D♭ major (3B), 85 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of DJ Stingray 313's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 97% of DJ Stingray 313's catalogue
- Energy:
- hotter than 93% of DJ Stingray 313's catalogue
- Tempo:
- slower than 84% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1 in?
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1 by DJ Stingray 313 is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1?
The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1 runs at 85 BPM, a downtempo track.
What mixes well with The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1 good for peak time?
With energy 98 out of 100 at 85 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 85 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 85 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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