The Sadist - Heinrich Mueller Remix
30s preview
- Key
- 8B · C major
- BPM
- 134
- Open Key
- 1d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 2011
- Album
- Stingray Enters the Unknown
- Genre
- Breakbeat
- Loudness
- -5.6 dB
- Dynamics
- 10.4 dB
- ISRC
- GBQLP1100290
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sadist - Cestrian Remixremix10B · 132
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1original3B · 85
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2original9B · 150
Against the original (3B at 85 BPM), this version runs 49 BPM faster and moves the key from 3B to 8B.
A peak-time tempo breakbeat cut, The Sadist - Heinrich Mueller Remix sits in C major (8B) at 134 BPM. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of DJ Stingray 313's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of DJ Stingray 313's catalogue
- Energy:
- hotter than 90% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Sadist - Heinrich Mueller Remix in?
The Sadist - Heinrich Mueller Remix by DJ Stingray 313 is in C major, or 8B on the Camelot wheel.
What BPM is The Sadist - Heinrich Mueller Remix?
The Sadist - Heinrich Mueller Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with The Sadist - Heinrich Mueller Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Sadist - Heinrich Mueller Remix good for peak time?
With energy 98 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 134 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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