Disinformation
30s preview
- Key
- 4A · F minor
- BPM
- 145
- Half-time
- 73
- Open Key
- 9m
- Energy
- 41/100
- Pop
- 11/100
- Length
- 5:08
- Released
- 2012
- Genre
- Breakbeat
- Loudness
- -18.3 dB
- Dynamics
- 11.3 dB
- ISRC
- ITYGV1400026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo breakbeat cut, Disinformation sits in F minor (4A) at 145 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Calmer than 98% of DJ Stingray 313's catalogue. In a set it works best as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 96% of DJ Stingray 313's catalogue
- Reach:
- better known than 90% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Disinformation in?
Disinformation by DJ Stingray 313 is in F minor, or 4A on the Camelot wheel.
What BPM is Disinformation?
Disinformation runs at 145 BPM, a driving up-tempo track.
What mixes well with Disinformation?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Disinformation good for peak time?
With energy 41 out of 100 at 145 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 145 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
![Coffee Shop (Prodigy Meets Histoire d’eux) [In the Rue Morgue] by The Prodigy cover art](https://i.scdn.co/image/ab67616d00001e0268371c553fa9fbbb69cfa6ab){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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