Less Is More (2008 Re-mastered)
30s preview
- Key
- 9A · E minor
- BPM
- 146
- Half-time
- 73
- Open Key
- 2m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -6.8 dB
- Dynamics
- 10.7 dB
- ISRC
- GBUM70801729
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Less Is More (2008 Re-mastered): fast drum n bass, E minor (9A), 146 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. More underground than 99% of Roni Size's catalogue.
- Energy:
- calmer than 97% of Roni Size's catalogue
- Groove:
- groovier than 90% of Roni Size's catalogue
- Brightness:
- brighter than 83% of Roni Size's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Less Is More (2008 Re-mastered) in?
Less Is More (2008 Re-mastered) by Roni Size is in E minor, or 9A on the Camelot wheel.
What BPM is Less Is More (2008 Re-mastered)?
Less Is More (2008 Re-mastered) runs at 146 BPM, a fast track.
What mixes well with Less Is More (2008 Re-mastered)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Less Is More (2008 Re-mastered) good for peak time?
With energy 62 out of 100 at 146 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 146 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
More drum n bass
More from Roni Size
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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