Satellites
30s preview
- Key
- 9B · G major
- BPM
- 73
- Double-time
- 146
- Open Key
- 2d
- Energy
- 67/100
- Pop
- 3/100
- Length
- 8:07
- Released
- 1998
- Album
- Zardoz / Satellites
- Genre
- Drum N Bass
- Loudness
- -13.3 dB
- Dynamics
- 16.6 dB
- ISRC
- GBTKW9800022
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 73 BPM in G major (9B), Satellites is a drum n bass production. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 1998 production that still circulates in sets. Slower than 99% of Ed Rush's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 95% of Ed Rush's catalogue
- Energy:
- calmer than 92% of Ed Rush's catalogue
- Brightness:
- darker than 75% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Satellites in?
Satellites by Ed Rush is in G major, or 9B on the Camelot wheel.
What BPM is Satellites?
Satellites runs at 73 BPM.
What mixes well with Satellites?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Satellites good for peak time?
With energy 67 out of 100 at 73 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 73 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 69-77 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 73 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 73 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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