It's All Connected by DJ Stingray 313 cover art

It's All Connected

DJ Stingray 313

Key
12A · D♭ minor
BPM
84
Double-time
168
Open Key
5m
Energy
90/100
Pop
6/100
Length
4:47
Released
2008
Genre
Breakbeat
Loudness
-10.0 dB
ISRC
NLL562200841

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A downtempo breakbeat cut, It's All Connected sits in D♭ minor (12A) at 84 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2008 production that still circulates in sets. Slower than 88% of DJ Stingray 313's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
less groove-driven than 88% of DJ Stingray 313's catalogue
Brightness:
darker than 79% of DJ Stingray 313's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood22Dark
Groove56
Acoustic0
Instrumental82
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is It's All Connected in?

It's All Connected by DJ Stingray 313 is in D♭ minor, or 12A on the Camelot wheel.

What BPM is It's All Connected?

It's All Connected runs at 84 BPM, a downtempo track.

What mixes well with It's All Connected?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is It's All Connected good for peak time?

With energy 90 out of 100 at 84 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 84 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 79-89 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 84 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

#TrackKey·BPM

More from DJ Stingray 313

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 84 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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