Denial of Service by DJ Stingray 313 cover art

Denial of Service

DJ Stingray 313

30s preview

Key
3B · D♭ major
BPM
174
Half-time
87
Open Key
8d
Energy
82/100
Pop
3/100
Length
4:44
Released
2012
Genre
Breakbeat
Loudness
-9.2 dB
Dynamics
14.2 dB
ISRC
NLL562111096

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in D♭ major (3B), Denial of Service is a breakbeat production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Faster than 97% of DJ Stingray 313's catalogue.

Groove:
less groove-driven than 95% of DJ Stingray 313's catalogue
Brightness:
darker than 86% of DJ Stingray 313's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood16Dark
Groove53
Acoustic0
Instrumental3
Live24
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Denial of Service in?

Denial of Service by DJ Stingray 313 is in D♭ major, or 3B on the Camelot wheel.

What BPM is Denial of Service?

Denial of Service runs at 174 BPM.

What mixes well with Denial of Service?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Denial of Service good for peak time?

With energy 82 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

#TrackKey·BPM

More from DJ Stingray 313

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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