The Sadist - Cestrian Remix
30s preview
- BPM
- 132
- Open Key
- 3d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2011
- Album
- Stingray Enters the Unknown
- Genre
- Breakbeat
- Loudness
- -6.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBQLP1100291
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Sadist - Heinrich Mueller Remixremix8B · 134
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 1original3B · 85
- The Sadist - Heinrich Muller & Cestrian Mix, Pt. 2original9B · 150
Against the original (3B at 85 BPM), this version runs 47 BPM faster and moves the key from 3B to 10B.
The Sadist - Cestrian Remix: peak-time tempo breakbeat, D major (10B), 132 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 99% of DJ Stingray 313's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 88% of DJ Stingray 313's catalogue
- Low end:
- more treble-tilted than 87% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Sadist - Cestrian Remix in?
The Sadist - Cestrian Remix by DJ Stingray 313 is in D major, or 10B on the Camelot wheel.
What BPM is The Sadist - Cestrian Remix?
The Sadist - Cestrian Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with The Sadist - Cestrian Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Sadist - Cestrian Remix good for peak time?
With energy 85 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Bingo Bango (Morales' Bango Beats) [2021 Remaster] by Basement Jaxx cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/d3d38a5e25ac64a3c286.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.