Reverse Engineering
30s preview
- BPM
- 143
- Half-time
- 72
- Open Key
- 3d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 4:27
- Released
- 2012
- Genre
- Breakbeat
- Loudness
- -10.1 dB
- Dynamics
- 10.9 dB
- ISRC
- NLL562111100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Reverse Engineering runs 143 BPM in D major (10B), a driving up-tempo breakbeat record. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of DJ Stingray 313's catalogue. In a set it works best as a floor-filler.
- Brightness:
- darker than 86% of DJ Stingray 313's catalogue
- Groove:
- groovier than 79% of DJ Stingray 313's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Reverse Engineering in?
Reverse Engineering by DJ Stingray 313 is in D major, or 10B on the Camelot wheel.
What BPM is Reverse Engineering?
Reverse Engineering runs at 143 BPM, a driving up-tempo track.
What mixes well with Reverse Engineering?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Reverse Engineering good for peak time?
With energy 93 out of 100 at 143 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 143 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 134-152 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 143 — beatmatch without a big tempo pull.
More breakbeat
More from DJ Stingray 313
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 143 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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