Mankind
- BPM
- 173
- Half-time
- 87
- Open Key
- 3d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 6:03
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -7.7 dB
- ISRC
- GBTMZ0800027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mankind runs 173 BPM in D major (10B), a drum n bass record. It reads as dark and driving. A 2008 production that still circulates in sets. Calmer than 99% of DC Breaks's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 88% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Mankind in?
Mankind by DC Breaks is in D major, or 10B on the Camelot wheel.
What BPM is Mankind?
Mankind runs at 173 BPM.
What mixes well with Mankind?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Mankind good for peak time?
With energy 83 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 173 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from DC Breaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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