Glitterball - S.P.Y's Not So Glittery Remix
30s preview
- Key
- 6A · G minor
- BPM
- 173
- Half-time
- 87
- Open Key
- 11m
- Energy
- 84/100
- Pop
- 5/100
- Length
- 4:33
- Released
- 2015
- Album
- Glitterball (Remixes)
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 12.1 dB
- ISRC
- GBSXS1500055
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Glitterball - S.P.Y Remixremix8B · 173
- Glitterballoriginal8B · 140
- Glitterball - Lucas Maverick Disco Rack Radio Editversion8B · 124
- Glitterball - Hollaphonic's Radio Editversion8B · 125
- Glitterball - GoldSmyth Editionversion8B · 82
- Glitterball - 99 Souls Radio Editversion8B · 123
Against the original (8B at 140 BPM), this version runs 33 BPM faster and moves the key from 8B to 6A.
Glitterball - S.P.Y's Not So Glittery Remix: drum n bass, G minor (6A), 173 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2015 production that still circulates in sets. More bass-heavy than 78% of Sigma's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Glitterball - S.P.Y's Not So Glittery Remix in?
Glitterball - S.P.Y's Not So Glittery Remix by Sigma is in G minor, or 6A on the Camelot wheel.
What BPM is Glitterball - S.P.Y's Not So Glittery Remix?
Glitterball - S.P.Y's Not So Glittery Remix runs at 173 BPM.
What mixes well with Glitterball - S.P.Y's Not So Glittery Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Glitterball - S.P.Y's Not So Glittery Remix good for peak time?
With energy 84 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 173 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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