Nobody Gets Out Alive
30s preview
- BPM
- 173
- Half-time
- 87
- Open Key
- 7d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 5:34
- Released
- 2007
- Genre
- Drum N Bass
- Loudness
- -6.2 dB
- Dynamics
- 13.7 dB
- ISRC
- GBCJY0712612
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 173 BPM in F♯ major (2B), Nobody Gets Out Alive is a drum n bass production. The feel is punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. More underground than 99% of High Contrast's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Nobody Gets Out Alive in?
Nobody Gets Out Alive by High Contrast is in F♯ major, or 2B on the Camelot wheel.
What BPM is Nobody Gets Out Alive?
Nobody Gets Out Alive runs at 173 BPM.
What mixes well with Nobody Gets Out Alive?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Nobody Gets Out Alive good for peak time?
With energy 82 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 173 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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