Magic
- BPM
- 173
- Half-time
- 87
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2005
- Genre
- Drum N Bass
- Loudness
- -7.5 dB
- ISRC
- GBCJY0590002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Magic sits in D♭ major (3B) at 173 BPM. The mix is almost entirely instrumental. A 2005 production that still circulates in sets. More underground than 99% of High Contrast's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Magic in?
Magic by High Contrast is in D♭ major, or 3B on the Camelot wheel.
What BPM is Magic?
Magic runs at 173 BPM.
What mixes well with Magic?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Magic good for peak time?
With energy 82 out of 100 at 173 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 173 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 163-183 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 173 — beatmatch without a big tempo pull.
More drum n bass
More from High Contrast
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 173 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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