Get Down
30s preview
- Key
- 8B · C major
- BPM
- 174
- Half-time
- 87
- Open Key
- 1d
- Energy
- 88/100
- Pop
- 20/100
- Length
- 4:33
- Released
- 2021
- Genre
- Drum N Bass
- Loudness
- -3.3 dB
- Dynamics
- 12.4 dB
- ISRC
- GB5KW2003811
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Get Down: drum n bass, C major (8B), 174 BPM. The feel is dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 94% of DC Breaks's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 93% of DC Breaks's catalogue
- Tempo:
- slower than 86% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Get Down in?
Get Down by DC Breaks is in C major, or 8B on the Camelot wheel.
What BPM is Get Down?
Get Down runs at 174 BPM.
What mixes well with Get Down?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Get Down good for peak time?
With energy 88 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 174 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from DC Breaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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