If You’re Not Going to Love Me
30s preview
- BPM
- 172
- Half-time
- 86
- Open Key
- 5m
- Energy
- 93/100
- Pop
- 12/100
- Length
- 3:22
- Released
- 2016
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 10.1 dB
- ISRC
- USUS11600307
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
If You’re Not Going to Love Me: drum n bass, D♭ minor (12A), 172 BPM. Tonally it lands punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. The timbre leans bright. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Slower than 90% of DC Breaks's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 85% of DC Breaks's catalogue
- Energy:
- calmer than 81% of DC Breaks's catalogue
- Groove:
- less groove-driven than 81% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is If You’re Not Going to Love Me in?
If You’re Not Going to Love Me by DC Breaks is in D♭ minor, or 12A on the Camelot wheel.
What BPM is If You’re Not Going to Love Me?
If You’re Not Going to Love Me runs at 172 BPM.
What mixes well with If You’re Not Going to Love Me?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is If You’re Not Going to Love Me good for peak time?
With energy 93 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 172 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from DC Breaks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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