Moore's Law - Original Mix
- BPM
- 172
- Half-time
- 86
- Open Key
- 6m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:59
- Released
- 2005
- Album
- Hot Rock / Moore's Law
- Genre
- Drum N Bass
- Loudness
- -4.7 dB
- ISRC
- NOESZ0500024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Moore's Law - Original Mix: drum n bass, A♭ minor (1A), 172 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2005 production that still circulates in sets. More underground than 99% of Phace's catalogue.
- Tempo:
- slower than 79% of Phace's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Moore's Law - Original Mix in?
Moore's Law - Original Mix by Phace is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Moore's Law - Original Mix?
Moore's Law - Original Mix runs at 172 BPM.
What mixes well with Moore's Law - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Moore's Law - Original Mix good for peak time?
With energy 93 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 172 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Phace
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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