Falling Down Stairs
30s preview
- Key
- 9B · G major
- BPM
- 174
- Half-time
- 87
- Open Key
- 2d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 5:12
- Released
- 2015
- Album
- No Cure
- Genre
- Drum N Bass
- Loudness
- -3.4 dB
- Dynamics
- 11.1 dB
- ISRC
- GBTKW1401304
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Falling Down Stairs sits in G major (9B) at 174 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Ed Rush's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- groovier than 80% of Ed Rush's catalogue
- Low end:
- more bass-heavy than 77% of Ed Rush's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Falling Down Stairs in?
Falling Down Stairs by Ed Rush is in G major, or 9B on the Camelot wheel.
What BPM is Falling Down Stairs?
Falling Down Stairs runs at 174 BPM.
What mixes well with Falling Down Stairs?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Falling Down Stairs good for peak time?
With energy 88 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Ed Rush
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.