Kiss It Better - Tim Reaper Remix
- Key
- 8A · A minor
- BPM
- 165
- Half-time
- 83
- Open Key
- 1m
- Energy
- 97/100
- Pop
- 7/100
- Length
- 4:27
- Released
- 2022
- Album
- Kiss It Better (Tim Reaper Remix)
- Genre
- Synth Pop
- Loudness
- -4.4 dB
- ISRC
- USZ4V2200254
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kiss It Betteroriginal10B · 127
- Kiss It Better - SONIKKU Remixremix9A · 140
- Kiss It Better - MJ Cole Remixremix9A · 132
- Kiss It Better - Acoustic Versionoriginal10A · 120
Against the original (10B at 127 BPM), this version runs 38 BPM faster and moves the key from 10B to 8A.
At 165 BPM in A minor (8A), Kiss It Better - Tim Reaper Remix is a very fast synth pop production. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. Faster than 99% of Aluna's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- hotter than 98% of Aluna's catalogue
- Groove:
- less groove-driven than 98% of Aluna's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Kiss It Better - Tim Reaper Remix in?
Kiss It Better - Tim Reaper Remix by Aluna is in A minor, or 8A on the Camelot wheel.
What BPM is Kiss It Better - Tim Reaper Remix?
Kiss It Better - Tim Reaper Remix runs at 165 BPM, a very fast track.
What mixes well with Kiss It Better - Tim Reaper Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Kiss It Better - Tim Reaper Remix good for peak time?
With energy 97 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 165 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More synth pop
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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