The Party Man - Original Mix
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 3m
- Energy
- 100/100
- Pop
- 12/100
- Length
- 3:09
- Released
- 2025
- Album
- The Party Man
- Genre
- Hard Techno
- Loudness
- -2.4 dB
- Dynamics
- 9.4 dB
- ISRC
- CA5KR2586980
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Party Man - Original Mix is a very fast hard techno track in B minor (10A) at 165 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 96% of AnGy KoRe's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 95% of AnGy KoRe's catalogue
- Reach:
- better known than 93% of AnGy KoRe's catalogue
- Energy:
- hotter than 92% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Party Man - Original Mix in?
The Party Man - Original Mix by AnGy KoRe is in B minor, or 10A on the Camelot wheel.
What BPM is The Party Man - Original Mix?
The Party Man - Original Mix runs at 165 BPM, a very fast track.
What mixes well with The Party Man - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Party Man - Original Mix good for peak time?
With energy 100 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 165 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More hard techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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