Not the last Good Bye - Original Mix
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 10d
- Energy
- 85/100
- Pop
- 11/100
- Length
- 2:28
- Released
- 2025
- Album
- Not the last Good Bye
- Genre
- Hard Techno
- Loudness
- -4.9 dB
- Dynamics
- 8.7 dB
- ISRC
- CA5KR2539859
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A very fast hard techno cut, Not the last Good Bye - Original Mix sits in E♭ major (5B) at 165 BPM. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Less groove-driven than 99% of AnGy KoRe's catalogue.
- Tempo:
- faster than 96% of AnGy KoRe's catalogue
- Brightness:
- brighter than 96% of AnGy KoRe's catalogue
- Reach:
- better known than 92% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Not the last Good Bye - Original Mix in?
Not the last Good Bye - Original Mix by AnGy KoRe is in E♭ major, or 5B on the Camelot wheel.
What BPM is Not the last Good Bye - Original Mix?
Not the last Good Bye - Original Mix runs at 165 BPM, a very fast track.
What mixes well with Not the last Good Bye - Original Mix?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Not the last Good Bye - Original Mix good for peak time?
With energy 85 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 165 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More hard techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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