Darkness Takes Control - AnGy KoRe Remix
30s preview
- BPM
- 165
- Half-time
- 83
- Open Key
- 8d
- Energy
- 95/100
- Pop
- 8/100
- Length
- 4:48
- Released
- 2024
- Album
- Darkness Takes Control
- Genre
- Hard Techno
- Loudness
- -4.1 dB
- Dynamics
- 8.6 dB
- ISRC
- DEH742440038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Darkness Takes Control - AnGy KoRe Remix runs 165 BPM in D♭ major (3B), a very fast hard techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 96% of AnGy KoRe's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 95% of AnGy KoRe's catalogue
- Reach:
- better known than 88% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Darkness Takes Control - AnGy KoRe Remix in?
Darkness Takes Control - AnGy KoRe Remix by AnGy KoRe is in D♭ major, or 3B on the Camelot wheel.
What BPM is Darkness Takes Control - AnGy KoRe Remix?
Darkness Takes Control - AnGy KoRe Remix runs at 165 BPM, a very fast track.
What mixes well with Darkness Takes Control - AnGy KoRe Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Darkness Takes Control - AnGy KoRe Remix good for peak time?
With energy 95 out of 100 at 165 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 165 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 155-175 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 165 — beatmatch without a big tempo pull.
More hard techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 165 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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