Melt the Difference, Part 1 (v2)
- BPM
- 187
- Half-time
- 94
- Open Key
- 9d
- Energy
- 27/100
- Pop
- 2/100
- Length
- 2:57
- Released
- 2023
- Album
- Melt the Differences
- Genre
- Minimal
- Loudness
- -12.5 dB
- ISRC
- DGA082321834
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Melt the Difference, Part 1 (v2) is a minimal track in A♭ major (4B) at 187 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Faster than 99% of Acid Pauli's catalogue.
- Energy:
- calmer than 94% of Acid Pauli's catalogue
- Groove:
- less groove-driven than 94% of Acid Pauli's catalogue
- Brightness:
- darker than 83% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Melt the Difference, Part 1 (v2) in?
Melt the Difference, Part 1 (v2) by Acid Pauli is in A♭ major, or 4B on the Camelot wheel.
What BPM is Melt the Difference, Part 1 (v2)?
Melt the Difference, Part 1 (v2) runs at 187 BPM.
What mixes well with Melt the Difference, Part 1 (v2)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Melt the Difference, Part 1 (v2) good for peak time?
With energy 27 out of 100 at 187 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 187 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 176-198 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 187 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 187 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.