Kahan (Mallaig Station)
30s preview
- Key
- 9A · E minor
- BPM
- 185
- Half-time
- 93
- Open Key
- 2m
- Energy
- 3/100
- Pop
- 35/100
- Length
- 3:35
- Released
- 2022
- Album
- Actual Life 2 Piano EP (February 2 - October 15 2021)
- Genre
- Minimal
- Loudness
- -18.4 dB
- Dynamics
- 17.3 dB
- ISRC
- GBAHS2200471
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kahan (Last Year)original11B · 106
A minimal cut, Kahan (Mallaig Station) sits in E minor (9A) at 185 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Faster than 99% of Fred again's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Fred again's catalogue
- Groove:
- less groove-driven than 96% of Fred again's catalogue
- Brightness:
- darker than 79% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 42%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Kahan (Mallaig Station) in?
Kahan (Mallaig Station) by Fred again is in E minor, or 9A on the Camelot wheel.
What BPM is Kahan (Mallaig Station)?
Kahan (Mallaig Station) runs at 185 BPM.
What mixes well with Kahan (Mallaig Station)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Kahan (Mallaig Station) good for peak time?
With energy 3 out of 100 at 185 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 185 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 174-196 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 185 — beatmatch without a big tempo pull.
More minimal
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 185 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
