Eyelar (stamford street)
- Key
- 6A · G minor
- BPM
- 93
- Double-time
- 186
- Open Key
- 11m
- Energy
- 1/100
- Pop
- 37/100
- Length
- 3:16
- Released
- 2023
- Album
- Actual Life 3 Piano EP (January 1 - September 9 2022)
- Genre
- Minimal
- Loudness
- -31.5 dB
- ISRC
- GBAHS2201522
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eyelar (shutters)original4A · 112
- Eyelar (shutters)original4A · 112
Eyelar (stamford street) runs 93 BPM in G minor (6A), a slow-groove tempo minimal record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 99% of Fred again's catalogue.
- Brightness:
- darker than 97% of Fred again's catalogue
- Groove:
- less groove-driven than 94% of Fred again's catalogue
- Tempo:
- slower than 92% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Eyelar (stamford street) in?
Eyelar (stamford street) by Fred again is in G minor, or 6A on the Camelot wheel.
What BPM is Eyelar (stamford street)?
Eyelar (stamford street) runs at 93 BPM, a slow-groove tempo track.
What mixes well with Eyelar (stamford street)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Eyelar (stamford street) good for peak time?
With energy 1 out of 100 at 93 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 93 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More minimal
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
