From Other Sounds - Radio Slave Broken Mix
- BPM
- 189
- Half-time
- 95
- Open Key
- 5m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2016
- Album
- From Other Sounds
- Genre
- Minimal
- Loudness
- -11.1 dB
- ISRC
- DECH61500190
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- From Other Sounds - Radio Slave Remixremix4B · 128
From Other Sounds - Radio Slave Broken Mix runs 189 BPM in D♭ minor (12A), a minimal record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 98% of Radio Slave's catalogue
- Energy:
- calmer than 94% of Radio Slave's catalogue
- Groove:
- less groove-driven than 93% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is From Other Sounds - Radio Slave Broken Mix in?
From Other Sounds - Radio Slave Broken Mix by Radio Slave is in D♭ minor, or 12A on the Camelot wheel.
What BPM is From Other Sounds - Radio Slave Broken Mix?
From Other Sounds - Radio Slave Broken Mix runs at 189 BPM.
What mixes well with From Other Sounds - Radio Slave Broken Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is From Other Sounds - Radio Slave Broken Mix good for peak time?
With energy 33 out of 100 at 189 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 189 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 178-200 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 189 — beatmatch without a big tempo pull.
More minimal
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 189 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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