Signal & Gear

Line Level

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The standard signal strength of most DJ gear, as opposed to the much weaker phono level of turntables.

Line level is the signal strength output by most DJ equipment such as media players, controllers, and mixers. Turntables output a far weaker phono level that needs a preamp to reach line level.

Why it matters

Plugging a turntable into a line input, or a line device into a phono input, gives you either no sound or massive distortion. Knowing the difference prevents a confusing setup.

In practice

Set each mixer channel's input switch to match the device: phono for turntables, line for everything else.

Related terms

Frequently asked questions

Line level is the standard signal voltage used by most professional audio gear, roughly -10 dBV for consumer and +4 dBu for pro equipment. Almost all DJ controllers, CDJs, and digital mixers operate at line level. Knowing this matters when connecting gear: plugging a line-level source into a phono input, or vice versa, results in either a very loud distorted signal or a very quiet one.
No. Phono inputs are specifically for turntable cartridges, which output a much weaker signal that also needs RIAA equalization applied to correct the recording curve. If you are using CDJs, a controller, or any digital source, use a line-level input. Using the phono input with a line source will overdrive the preamp and distort.
Mic level is much weaker than line level, typically around -60 dBu to -40 dBu, so microphones need a preamp to boost them up to line level before entering the main mixer signal path. DJ mixers often have a separate mic channel with its own preamp precisely because of this difference. Never plug a microphone into a standard line input expecting full volume.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

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