Sume Sigh Say - Tee's 2012 Edit
30s preview
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 2:38
- Released
- 2020
- Album
- Sume Sigh Say (Ultimate Remixes)
- Genre
- House
- Loudness
- -9.4 dB
- Dynamics
- 12.9 dB
- ISRC
- USMKQ2000044
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sume Sigh Say - Maw Editversion8B · 127
- Sume Sigh Say - Maw Extended Mixversion8B · 127
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Remixremix10A · 128
- Sume Sigh Say - DJ Malvado RMXremix1B · 126
- Sume Sigh Say - Agent Orange DJ & Alexander Technique Reworkremix10A · 128
- Sume Sigh Say - David Cruz Editversion4B · 125
At 123 BPM in G minor (6A), Sume Sigh Say - Tee's 2012 Edit is a club-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Todd Terry's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 96% of Todd Terry's catalogue
- Groove:
- groovier than 95% of Todd Terry's catalogue
- Tempo:
- slower than 91% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Sume Sigh Say - Tee's 2012 Edit in?
Sume Sigh Say - Tee's 2012 Edit by Todd Terry is in G minor, or 6A on the Camelot wheel.
What BPM is Sume Sigh Say - Tee's 2012 Edit?
Sume Sigh Say - Tee's 2012 Edit runs at 123 BPM, a club-tempo track.
What mixes well with Sume Sigh Say - Tee's 2012 Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Sume Sigh Say - Tee's 2012 Edit good for peak time?
With energy 62 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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