Goin' Home (To See My Savior) - Kerri Chandler Instrumental
30s preview
- BPM
- 123
- Open Key
- 4d
- Energy
- 63/100
- Pop
- 1/100
- Length
- 5:53
- Released
- 2021
- Album
- Goin' Home (To See My Savior) (The Kerri Chandler Remix)
- Genre
- Deep House
- Loudness
- -7.3 dB
- Dynamics
- 9.8 dB
- ISRC
- UKF4C1602801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Goin' Home (To See My Savior) - Kerri Chandler Radio Editversion11B · 123
- Goin' Home (To See My Savior) - Kerri Chandler Vocal Mixoriginal12A · 123
Against the original (12A at 123 BPM), this version holds the same tempo and moves the key from 12A to 11B.
Goin' Home (To See My Savior) - Kerri Chandler Instrumental: club-tempo deep house, A major (11B), 123 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 84% of Kerri Chandler's catalogue.
- Energy:
- calmer than 83% of Kerri Chandler's catalogue
- Groove:
- groovier than 80% of Kerri Chandler's catalogue
- Brightness:
- darker than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Goin' Home (To See My Savior) - Kerri Chandler Instrumental in?
Goin' Home (To See My Savior) - Kerri Chandler Instrumental by Kerri Chandler is in A major, or 11B on the Camelot wheel.
What BPM is Goin' Home (To See My Savior) - Kerri Chandler Instrumental?
Goin' Home (To See My Savior) - Kerri Chandler Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Goin' Home (To See My Savior) - Kerri Chandler Instrumental?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Goin' Home (To See My Savior) - Kerri Chandler Instrumental good for peak time?
With energy 63 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 123 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profile
![The Morning Heat [La Grange] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.