Warehouse Romance
30s preview
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 62/100
- Pop
- 13/100
- Length
- 7:18
- Released
- 2013
- Genre
- House
- Label
- Inmotion Music
- Loudness
- -8.6 dB
- Dynamics
- 12.1 dB
- ISRC
- QMPEZ1001270
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Warehouse Romance - Original Mixoriginal5A · 123
Warehouse Romance is a club-tempo house track in C minor (5A) at 123 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. Calmer than 95% of Sidney Charles's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 93% of Sidney Charles's catalogue
- Groove:
- groovier than 88% of Sidney Charles's catalogue
- Low end:
- more bass-heavy than 85% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Warehouse Romance in?
Warehouse Romance by Sidney Charles is in C minor, or 5A on the Camelot wheel.
What BPM is Warehouse Romance?
Warehouse Romance runs at 123 BPM, a club-tempo track.
What mixes well with Warehouse Romance?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Warehouse Romance good for peak time?
With energy 62 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
