Wood & Wine
30s preview
- Key
- 1B · B major
- BPM
- 123
- Open Key
- 6d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2014
- Genre
- House
- Loudness
- -11.8 dB
- Dynamics
- 11.2 dB
- ISRC
- DEBE71300389
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Wood & Wine sits in B major (1B) at 123 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of Wankelmut's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 89% of Wankelmut's catalogue
- Brightness:
- darker than 84% of Wankelmut's catalogue
- Energy:
- calmer than 79% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Wood & Wine in?
Wood & Wine by Wankelmut is in B major, or 1B on the Camelot wheel.
What BPM is Wood & Wine?
Wood & Wine runs at 123 BPM, a club-tempo track.
What mixes well with Wood & Wine?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Wood & Wine good for peak time?
With energy 62 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 123 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.