It's 2 AM by Kellerkind cover art

It's 2 AM

Kellerkind

30s preview

Key
5A · C minor
BPM
123
Open Key
10m
Energy
62/100
Pop
4/100
Length
6:53
Released
2012
Genre
Tech House
Loudness
-10.3 dB
Dynamics
12.7 dB
ISRC
CH9251100017

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, It's 2 AM sits in C minor (5A) at 123 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. Groovier than 98% of Kellerkind's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 98% of Kellerkind's catalogue
Low end:
more treble-tilted than 98% of Kellerkind's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood89Bright
Groove90
Acoustic1
Instrumental44
Live7
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is It's 2 AM in?

It's 2 AM by Kellerkind is in C minor, or 5A on the Camelot wheel.

What BPM is It's 2 AM?

It's 2 AM runs at 123 BPM, a club-tempo track.

What mixes well with It's 2 AM?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is It's 2 AM good for peak time?

With energy 62 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Kellerkind

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track