The Jungle - FuntCase Remix
- Key
- 8B · C major
- BPM
- 142
- Half-time
- 71
- Open Key
- 1d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2011
- Album
- Night and Day EP
- Genre
- Drum N Bass
- Loudness
- -4.1 dB
- ISRC
- GBQZQ1101488
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Jungle - Sub Zero Remixremix6B · 175
- The Jungle - Original Mixoriginal3B · 175
- The Jungle - Funtcase Remixremix8B · 142
- The Jungle - Subzero Remixremix6B · 175
Against the original (3B at 175 BPM), this version runs 33 BPM slower and moves the key from 3B to 8B.
The Jungle - FuntCase Remix is a driving up-tempo drum n bass track in C major (8B) at 142 BPM. It is vocal-led. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Darker than 99% of Sigma's catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of Sigma's catalogue
- Groove:
- less groove-driven than 95% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Jungle - FuntCase Remix in?
The Jungle - FuntCase Remix by Sigma is in C major, or 8B on the Camelot wheel.
What BPM is The Jungle - FuntCase Remix?
The Jungle - FuntCase Remix runs at 142 BPM, a driving up-tempo track.
What mixes well with The Jungle - FuntCase Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Jungle - FuntCase Remix good for peak time?
With energy 91 out of 100 at 142 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 142 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 133-151 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 142 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 142 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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